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・ Ravza Kavakçı Kan
・ Ravé Mehta
・ Ravča
・ Raw
・ Raw & Refined
・ Raw & Uncut
・ Raw 'n' Alive at the Cellar, Chicago 1966!
・ Raw (Alyson Williams album)
・ Raw (Crack the Sky album)
・ Raw (Hopsin album)
・ Raw (Jimmy Barnes album)
・ Raw (Juvenile album)
・ Raw (Keith LeBlanc album)
・ Raw (magazine)
・ Raw (Moxy album)
Raw (music magazine)
・ Raw (novel)
・ Raw (Ra album)
・ Raw (Sex Pistols album)
・ Raw (The Alarm album)
・ Raw (TV series)
・ Raw agricultural product
・ Raw and Live
・ Raw and Rare
・ Raw and Rare (album)
・ Raw and Un-Kutt
・ Raw animal food diets
・ Raw Art Gallery
・ RAW artists
・ Raw as F**k


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Raw (music magazine) : ウィキペディア英語版
Raw (music magazine)

Raw Magazine was founded in the summer of 1988 by Dante Bonutto, Malcolm Dome, Mark Putterford and Steve McTaggart and photographer Tony Mottram drafted in from Metal Hammer. They had come together on Metal Hammer magazine having split from Kerrang!, where Bonutto had been deputy-editor. The collective feeling there had been that Kerrang! was becoming too narrowly focused on Heavy Metal and that Metal Hammer would allow them more scope to explore other areas of Rock music. This quickly proved not to be the case and the idea for a new magazine was born, a title that would be a true Rock magazine, featuring Heavy Metal acts but not dominated by them.
To that end they teamed up with marketing man Pete Winkleman and created Raw alongside Phil Alexander, Kirk Blows, Dave Dickson, Dave Ling, Sylvie Simmons, Maura Sutton and Paul Suter, most of whom had also worked on Kerrang!.Under the byline of `RAW` Rock Alive Worldwide.
The first issue went on sale on August 31 of that year as a fortnightly publication featuring Ozzy on the cover tattooing the RAW logo on himself, photographed by Tony Mottram. RAW steadily grew to become a serious rival to the more established Kerrang!. But within the year, EMAP publications, having failed in their bid to take over Kerrang!, decided to acquire Raw instead. The idea, at that stage, remained that the new magazine could overcome the heavyweight Kerrang!, and that EMAP's money and publishing clout would allow the Raw team to achieve this. In the end, though, EMAP simply bought Kerrang! wholesale.
The original Raw magazine, the staff, writers and photographers, remained largely intact until the end of 1989 when Dante Bonutto announced he was leaving. He had been poached as an A&R man by East West Records. The EMAP appointed publishing director, Dave Hepworth, was assigned to find a new editor. The obvious and most sensible choice would have been to appoint Bonutto's deputy, Malcolm Dome, a man who lived and breathed Hard Rock, had been there since its inception and knew virtually everything there was to know about the magazine and the music biz.
Curiously, though, Hepworth gave the job to his old pal Dave Henderson, who knew next to nothing about Rock music and whose only previous experience in the editor's chair had ended with the closure of a magazine. The beginning of 1990 ushered in the new regime and the slow decline of Raw as a viable alternative to Kerrang!. But as soon as Kerrang! became part of the EMAP stable of publications Raw's survival no longer mattered and despite changes of editor and editorial policy, making Raw a Britpop magazine in December 1995, it perished not long after.
In 1993 a weekly television programme named Raw Power was launched to accompany the magazine. It later changed its name to Noisy Mothers and was defunct in late 1995.
==References==



抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Raw (music magazine)」の詳細全文を読む



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